Ang Kia Yee 洪佳仪

“[a] boundary separates one area from another
and yet… belongs to both of them” 
(Keiji Nishitani)



January 2021, Quarterly Literary Review Singapore, Jan 2021 
Comma Toes, immaterial bodies, Objectifs, Sep 2020
slow dream machine (self-published), Jul/Aug 2020
And Yet Eyes Resemble Oysters, Stand Magazine, Dec 2019
Untitled, Quarterly Literary Review Singapore, Jul 2019
Sit Awhile, Cha: An Asian Literary Journal, Jul 2019
We never entered that motel, but we always smelt the eggs frying in the cafeteria downstairs, Twin Cities: an anthology of twin cinema from Singapore and Hong Kong (2017), eds. Tammy Ho Lai-Ming and Joshua Ip
colander for farfalle, cooked precisely, black socks + hanya yanagihara made me cry, SingPoWriMo 2017: The Anthology (2017), eds. Stephanie Chan, Ruth Tang, and Daryl Qilin Yam
Reference no., SingPoWriMo 2015: The Anthology (2015), eds. Daryl Qilin Yam, Joshua Ip, and Jennifer Anne Champion
Death’s Aching, Petua: Reminiscing Grandmother Tales & Superstitions (2013)The HeartThrob Project and Visual Inconsideration


The Horse’s Mouth, so-far, Aug 2020
Tentacle, Quarterly Literary Review Singapore, Apr 2018


Loving Anarchy: a review of No Poetry, Cha: An Asian Literary Journal, Feb 2021
Taking Lessons from Gary-Ross Pastrana's Objects, Plural Art Mag, Feb 2020
I, Robomancer: Japan, Buddhism, and Artificial Intelligence, so-far, Dec 2019
We’re Not There Yet: Dismantling Colonial Ghosts of Southeast Asia, Colonial Hangover Project, Mar 2018
Review of Triple BillM1 Peer Pleasure Youth Theatre Festival, 2017
Review of Without Reason, M1 Peer Pleasure Youth Theatre Festival, 2017
Fictional Power: The Collapse of Feminism in Pale Horse, Pale Rider and Diary of a Madman, Unseen The Magazine, Mar 2017


7th SIPF 2020 Open Call Artist Interviews, DECK Journal of Photography #2 (forthcoming) 
In the room next to yours: Juka Araikawa, Sullivan+Strumpf Magazine, Oct 2020
Counterintuitive Connections, Artacia Art, May 2020
No Hard Feelings: Nature Shankar, Plural Art Mag, Feb 2020
Advocate Artists, M1 Peer Pleasure Youth Theatre Festival, 2017
The Youth Dreams of TheatreM1 Peer Pleasure Youth Theatre Festival, 2016


Touch Skin, an essay for Networked Bodies, Supernormal, Singapore Art Week, Jan 2021
Comma Toes, a poem for immaterial bodies, Objectifs, Sep 2020
An untitled essay in many parts for The Open Workshop, Supernormal, Singapore Art Week, Jan 2020



mostly performer/ writer/ producer
occasional director/ lighting designer/ etc.

2021 voices in a room (ongoing) 
2020 Loving Things, online
2020 Papier-mâché, Wuwei Performance Series Edition #7, online
2020 9, Chen Rui Fan, 11 Chander Rd, Singapore
2020 moooooooooooooooooooooooooooooood, Wuwei Performance Series Edition #6, Coda Culture, Singapore
2019 Saint Somebody, Camden People’s Theatre, UK
2018 sentryFestival of Audacity, COW Birmingham, UK
2018 The Triumph of Our Tired Eyes, University of Warwick, UK
2018 Workers Party, University of Warwick, UK
2017 forth, Le Danz (222 Queen St), Singapore
2016 Figs, The Substation Theatre, Singapore
2015 Flicker, The Substation Theatre, Singapore


performer/ maker

2020 I am home, OH! Open House, online
2020 A songbird called Tiresias, Care Package, Grey Projects
2020 Community Garden, Our Softest Hour


2020 sensations, Blackboard Schemes, Fertile Art Refinery, The Substation, Singapore 
2019 artist never come, Coming Between, Becoming


2021 Vernacular Antidotes: Object Relations & Alternative Economy Panel, a part of Buangkok Mall Life Club, with Salty Xi Jie Ng, Jennifer Teo, Grace Amber and Shoshana Gugenheim


2020 sensations, co-facilitated with Jireh Koh, Nicole Phua, Veronyka Lau and Yen Phang