“[a] boundary separates one area from another
and yet… belongs to both of them” 
(Keiji Nishitani)



2021 January 2021, Quarterly Literary Review Singapore
2020 Comma Toes, immaterial bodies, Objectifs
2020 slow dream machine (self-published)
2019 And Yet Eyes Resemble Oysters, Stand Magazine
2019 Untitled, Quarterly Literary Review Singapore
2019 Sit Awhile, Cha: An Asian Literary Journal
2017 We never entered that motel, but we always smelt the eggs frying in the cafeteria downstairs, Twin Cities: an anthology of twin cinema from Singapore and Hong Kong, eds. Tammy Ho Lai-Ming and Joshua Ip
colander for farfalle, cooked precisely, black socks + hanya yanagihara made me cry, SingPoWriMo 2017: The Anthology, eds. Stephanie Chan, Ruth Tang, and Daryl Qilin Yam
Reference no., SingPoWriMo 2015: The Anthology, eds. Daryl Qilin Yam, Joshua Ip, and Jennifer Anne Champion
Death’s Aching, Petua: Reminiscing Grandmother Tales & SuperstitionsThe HeartThrob Project and Visual Inconsideration


2020 The Horse’s Mouth, so-far
2018 Tentacle, Quarterly Literary Review Singapore


2021 Loving Anarchy: a review of No Poetry, Cha: An Asian Literary Journal
2020 Taking Lessons from Gary-Ross Pastrana's Objects, Plural Art Mag
2019 I, Robomancer: Japan, Buddhism, and Artificial Intelligence, so-far
2018 We’re Not There Yet: Dismantling Colonial Ghosts of Southeast Asia, Colonial Hangover Project
2017 Review of Triple BillM1 Peer Pleasure Youth Theatre Festival
2017 Review of Without Reason, M1 Peer Pleasure Youth Theatre Festival
Fictional Power: The Collapse of Feminism in Pale Horse, Pale Rider and Diary of a Madman, Unseen The Magazine


7th SIPF 2020 Open Call Artist Interviews, DECK Journal of Photography #2 (forthcoming) 
2020 In the room next to yours: Juka Araikawa, Sullivan+Strumpf Magazine
2020 Counterintuitive Connections, Artacia Art
2020 No Hard Feelings: Nature Shankar, Plural Art Mag
2017 Advocate Artists, M1 Peer Pleasure Youth Theatre Festival
2016 The Youth Dreams of TheatreM1 Peer Pleasure Youth Theatre Festival


Touch Skin, an essay for Networked Bodies, Supernormal, Singapore Art Week, Jan 2021
Comma Toes, a poem for immaterial bodies, Objectifs, Sep 2020
An untitled essay in many parts for The Open Workshop, Supernormal, Singapore Art Week, Jan 2020



mostly performer/ writer/ producer
occasional director/ lighting designer/ etc.

2021 voices in a room (ongoing) 
2020 Loving Things, online
2020 Papier-mâché, Wuwei Performance Series Edition #7, online
2020 9, Chen Rui Fan, 11 Chander Rd, Singapore
2020 moooooooooooooooooooooooooooooood, Wuwei Performance Series Edition #6, Coda Culture, Singapore
2019 Saint Somebody, Camden People’s Theatre, UK
2018 sentryFestival of Audacity, COW Birmingham, UK
2018 The Triumph of Our Tired Eyes, University of Warwick, UK
2018 Workers Party, University of Warwick, UK
2017 forth, Le Danz (222 Queen St), Singapore
2016 Figs, The Substation Theatre, Singapore
2015 Flicker, The Substation Theatre, Singapore


performer/ maker

2020 I am home, OH! Open House, online
2020 A songbird called Tiresias, Care Package, Grey Projects
2020 Community Garden, Our Softest Hour


2020 sensations, Blackboard Schemes, Fertile Art Refinery, The Substation, Singapore 
2019 artist never come, Coming Between, Becoming


2021 Vernacular Antidotes: Object Relations & Alternative Economy Panel, a part of Buangkok Mall Life Club, with Salty Xi Jie Ng, Jennifer Teo, Grace Amber and Shoshana Gugenheim


2020 sensations, co-facilitated with Jireh Koh, Nicole Phua, Veronyka Lau and Yen Phang