education

2019 BA(Hons) English Literature and Creative Writing (First Class), University of Warwick

accolades

Runner-up (Poetry), The Bi’an Award 2018
1st (Open Category), 24-Hour Playwriting Competition 2018 (TheatreWorks)
2nd (Youth Category), 24-Hour Playwriting Competition 2015 (TheatreWorks)
3rd (Youth Category), 24-Hour Playwriting Competition 2013 (TheatreWorks)

residencies

Centre 42 New Scripts Residency 2021


writing


poetry
2021 January 2021, Quarterly Literary Review Singapore
2020 Comma Toes, immaterial bodies, Objectifs
2020 slow dream machine (self-published)*
2019 And Yet Eyes Resemble Oysters, Stand Magazine
2019 Untitled, Quarterly Literary Review Singapore
2019 Sit Awhile, Cha: An Asian Literary Journal
2017 We never entered that motel, but we always smelt the eggs frying in the cafeteria downstairs, Twin Cities: an anthology of twin cinema from Singapore and Hong Kong, eds. Tammy Ho Lai-Ming and Joshua Ip
2017 colander for farfalle, cooked precisely, black socks + hanya yanagihara made me cry, SingPoWriMo 2017: The Anthology, eds. Stephanie Chan, Ruth Tang, and Daryl Qilin Yam
2015 Reference no., SingPoWriMo 2015: The Anthology, eds. Daryl Qilin Yam, Joshua Ip, and Jennifer Anne Champion
2013 Death’s Knocking, Petua: Reminiscing Grandmother Tales & Superstitions, The HeartThrob Project and Visual Inconsideration

fiction
2020 The Horse’s Mouth, so-far
2018 Tentacle, Quarterly Literary Review Singapore

plays, performance texts
2019, 2021 LOVERS TEXT LOVERS (development ongoing)
2018 Lizards, 1st (Open Category), 24-Hour Playwriting Competition (TheatreWorks)
2017 i lie there, i am dancing and it's okay**, The Writers' Room, Millburn House, University of Warwick
2015 Flicker**, The Substation Theatre, Singapore
2015 What You Have Lost, 2nd (Youth Category), 24-Hour Playwriting Competition (TheatreWorks)
2013 Navigation (Belief and Happiness), 3rd (Youth Category), 24-Hour Playwriting Competition (TheatreWorks)
    ** has been staged

essays & reviews
2021 Loving Anarchy: a review of No Poetry, Cha: An Asian Literary Journal
2020 Taking Lessons from Gary-Ross Pastrana's Objects, Plural Art Mag
2019 I, Robomancer: Japan, Buddhism, and Artificial Intelligence, so-far
2018 We’re Not There Yet: Dismantling Colonial Ghosts of Southeast Asia, Colonial Hangover Project
2017 Review of Triple Bill,  M1 Peer Pleasure Youth Theatre Festival
2017 Review of Without Reason, M1 Peer Pleasure Youth Theatre Festival
2017 Fictional Power: The Collapse of Feminism in Pale Horse, Pale Rider and Diary of a Madman, Unseen The Magazine

features and interviews
7th SIPF 2020 Open Call Artist Interviews, DECK Journal of Photography #2 (forthcoming)
2021 (Block)Chain Reactions in Supplying Transparency, so-far
2020 In the room next to yours: Juka Araikawa, Sullivan+Strumpf Magazine
2020 Counterintuitive Connections, Artacia Art
2020 No Hard Feelings: Nature Shankar, Plural Art Mag
2017 Advocate Artists, M1 Peer Pleasure Youth Theatre Festival, 2017
2016 The Youth Dreams of Theatre, M1 Peer Pleasure Youth Theatre Festival

exhibitions
2021 Touch Skin, an essay for Networked Bodies, Supernormal, Singapore Art Week
2020 Comma Toes, a poem for immaterial bodies, Objectifs
2020 An untitled essay in many parts for The Open Workshop, Supernormal, Singapore Art Week


* My self-published collection, slow dream machine, is available for sale.



editorial

essays / research / etc.

2021 Leonorana #5 by Isabel Carvalho as guest co-editor
2017-19 Reinvention: an International Journal of Undergraduate Research as an assistant editor



performance


performance-maker
☁️ together
2021 voices in a room, Feelers, online & mail
2020 sensations, Blackboard Schemes, Fertile Art Refinery, The Substation, Singapore
2020 9, Chen Rui Fan, 11 Chander Rd, Singapore
2019 Saint Somebody, Camden People’s Theatre, UK
2018 sentry, Festival of Audacity, COW Birmingham, UK
2018 The Triumph of Our Tired Eyes, University of Warwick, UK
2018 Workers Party, University of Warwick, UK
2017 forth, Le Danz (222 Queen St), Singapore
2016 Figs, The Substation Theatre, Singapore
2015 Flicker, The Substation Theatre, Singapore

☁️ solo
2021 Loving Things (to say), Esplanade Upper Concourse
2021 I am home, Cyber Labyrinth, LightNight Liverpool, online
2020 I am home, OH! Open House, online
2020 Loving Things, online
2020 Papier-mâché, Wuwei Performance Series Edition #7, online
2020 moooooooooooooooooooooooooooooood, Wuwei Performance Series Edition #6, Coda Culture, Singapore

writer
2019, 2021 LOVERS TEXT LOVERS (script development ongoing) 
2020 Loving Things, online
2017 i lie there, i am dancing and it's okay, The Writers' Room, Millburn House, University of Warwick
2016 Figs, The Substation Theatre, Singapore
2015 Flicker, The Substation Theatre, Singapore


misc. 


talks
2021 Vernacular Antidotes: Object Relations & Alternative Economy Panel, a part of Buangkok Mall Life Club, with Salty Xi Jie Ng, Jennifer Teo, Grace Amber and Shoshana Gugenheim

workshops
2020 sensations, co-facilitated with Jireh Koh, Nicole Phua, Veronyka Lau and Yen Phang

objects
2020 A songbird called Tiresias, Care Package, Grey Projects

webpage
2020 Community Garden, Our Softest Hour

visual art?
2019 artist never come, Coming Between, Becoming