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My writing practice is varied but centred on poetry.
My work has appeared in Quarterly Literary Review Singapore, Stand Magazine, Cha: An Asian Literary Journal, SO-FAR, and Plural Art Mag. I've also written for exhibitions, including REFUSE (Singapore Art Museum), immaterial bodies (Objectifs) and Networked Bodies (Supernormal).
In 2020, I self-published a poetry chapbook titled slow dream machine (2020).
| Dream Intepretation & Inheritance | Quarterly Literary Review Singapore, Vol. 22 No. 3 Jul 2023 | read |
| Midheaven | "If On A Quiet Night...", Singapore Writers Festival 2022 | watch |
| A suite for damp rot | for REFUSE, an inter-media exhibition about The Observatory at the Singapore Art Museum | learn more |
| Comma Toes | for immaterial bodies, an exhibition on the material world of things and the immaterial world of affects | read |
| January 2021 | Quarterly Literary Review Singapore, Vol. 20 No.1 Jan 2021 | read |
| slow dream machine | debut poetry collection about being a vessel for writing, a body for the machine | learn more |
| And Yet Eyes Resemble Oysters | runner-up for the Bi'an Award, poetry category; published in Stand Magazine | read (paywalled) |
| Untitled | published in Quarterly Literary Review Singapore; included in anthology Quiet Loving, Ravaging Search | read |
| 氵pasang | an audio walk on ghost rivers made in collaboration with ila for Natasha, Singapore Biennale 2022 | listen |
| speculative texts | for An Organic Terminus, an audio trail about Tanjong Pagar by The Everyday Museum | listen |
| The Horse's Mouth | a semi-historical, semi-speculative account written from the POV of an envoy of the Han Dynasty | read |
| Edible Life | a prologue to a longer science fiction piece about food systems in 2030s Singapore | read |
| Tentacle | a short story about a woman who wants to be pregnant | read |
| Lovers Text Lovers (in development) | a bilingual script on romance, East Asian pop culture, and Singaporean Englishes and Chineses | learn more |
| Lizards | a prize-winning script dedicated to women who have gone mad | learn more |
| Flicker | a hallucinatory dream featuring an ensemble in search of one another | learn more |
| I, Robomancer | an essay about Japan, Buddhism and Artificial Intelligence | read |
| Touch Skin | an essay for Networked Bodies (exhibition) by Supernormal | learn more |
| an untitled essay | comprising multiple texts for The Open Workshop (exhibition) by Supernormal | read |
| Empty Orchestra Heart | a view of karaoke culture and aesthetics through Monzoom.xyz's Total Eclipse Plumage | read |
| Loving Anarchy | a review of No Poetry by poet Che Qianzi | read |
| The Future is Here | an essay on entering the metaverse with Keiken and Kathryn Lofton [also published in Radical Film, Art and Digital Media for Societies in Turmoil] |
read |
| In the room next to yours | a snapshot of artist Juka Araikawa's practice and ethos | read |
| Leonorana #5: Environments | the fifth issue of a magazine focused on artistic research, co-edited with Isabel Carvalho | learn more |